Jeffrey Epstein Autopsy Results Show Suicide By Hanging

His mysterious death while awaiting trial on federal sex trafficking had spawned multiple conspiracy theories, though officials had suspected suicide early on. Epstein was found unresponsive Saturday morning in his jail cell at the Metropolitan Correctional Center in Manhattan.
Experts said the bone is more easily damaged though, including by hanging, in older people such as Epstein, who was 66. A preliminary autopsy report on Thursday indicated that various bones in his neck were broken, including one near the Adam’s apple called the hyoid bone. Damage to that particular bone is more common in cases of strangulation, a fact that fueled speculation all week.
He had been put on suicide watch following a July 24 incident in which Epstein was found with injuries to his neck.
Stephen Colbert Skewers Donald Trump’s Jeffrey Epstein Conspiracy Retweets Then Rips The Clintons” />
According to The New York Times, the staff did not follow protocols leading up to Epstein’s death. Reports had surfaced this week that the guards who were assigned to Epstein’s cell were working “extreme overnight shifts” to make up for staffing shortages the morning of his apparent suicide.
Greg Evans and Dino-Ray Ramos contributed to this report.
The chief medical examiner of New York City has ruled that Jeffrey Epstein, the well-connected jailed financier and accused child sex trafficker with ties to many powerful people, died of suicide by hanging.
Attorney General William Barr said Sunday that he was "appalled" by Epstein's death and said federal investigations were underway.
He had pleaded not guilty. Epstein, who has ties to Presidents Trump and Clinton, was arrested on July 6 for alleged involvement in a sex-trafficking ring involving underage girls and a collection of child pornography.

‘Katy Keene’: EP Michael Grassi Confirms ‘Riverdale’ Crossover Plans – TCA

Maggie Kiley directs and executive produces. The series is produced by Berlanti Productions in association with Warner Bros. Television and CBS Television Studios.” /> Katy Keene, which takes place five years after Riverdale, is executive produced by Aguirre-Sacasa, Michael Grassi, Greg Berlanti, Sarah Schechter and Archie Comics CEO and Publisher Jon Goldwater.
Katy Keene hails from Riverdale creator/executive producer Roberto Aguirre-Sacasa, Berlanti Productions and Warner Bros TV.
While Ashleigh Murray, who played singer-songwriter Josie McCoy on Riverdale, left town to head to New York City with dreams to make it in music, other Riverdale cast members expected to come and visit.
Exec producer Michael Grassi said, “I think it’s very likely that we will be seeing some familiar faces from Riverdale crossing over to our Katy Keene show and our New York world and we’re excited about that.”
The series is set in New York City, where aspiring fashion designer Katy Keene, played by Pretty Little Liars star Lucy Hale, meets McCoy, fresh off the bus to chase her musical dreams. Their world is populated with kindred-spirit starving artists, including mysterious socialite Pepper Smith (Julia Chan) and Broadway-bound performer Jorge Lopez – and his drag queen alter ego, Ginger (Jonny Beauchamp). While their climb to the top is rife with obstacles, this found family will stop at nothing to see their names in lights.
There will be crossover between Archie Comics alums Katy Keene and Riverdale on The CW’s second most populous universe.

Newspath’s Nikki Battiste Named CBS News Correspondent

After Battiste questioned Cardinal Daniel DiNardo about the allegations against the priest, the priest was removed from ministry. Battiste joined CBS News in 2017 as a freelance correspondent for Newspath – CBS' 24-hour newsgathering service – and was made a staff correspondent for Newspath in 2018. Battiste traveled to Rome last February to cover the Vatican summit addressing the abuse crisis. Working with the CBS News investigative unit, Battiste and her team uncovered allegations of sexual abuse against a priest in the Archdiocese of Galveston-Houston.
She reported extensively on the Amanda Knox case from Perugia, Italy, and has also covered the search for Malaysia Airlines Flight 370; the Newtown and Virginia Tech school shootings; the Mother Emanuel Church shooting in Charleston; the San Bernardino attack; and the Orlando nightclub massacre. Before joining CBS News, Battiste, whose work has  was an ABC News producer and reporter based in New York. She resides in New York City with her husband.” /> Her work has won several Emmy, Edward R Murrow and CINE Golden Eagle awards, among others.
Nikki Battiste, a CBS Newspath correspondent whose coverage of the Catholic Church sexual abuse scandal helped uncover allegations against a Texas priest who was still in active ministry, has been named a CBS News correspondent.
She'll be based in New York and report for all CBS News broadcasts and platforms including CBS This Morning, CBS Evening News, CBS Sunday Morning and streaming service CBSN.

Judith Krantz Dies: Best-Selling Author And Journalist Was 91 Years Old

         Lovers (1994)
Krantz’s novels were historically accurate, thanks to countless hours of research about the people, places and historical eras in which she set her books. Her heroines were working women exploring choices and opportunities largely unavailable to women in their day. Female empowerment, achievement and artistry were themes in her novels, decades before this era.
In recognition for her many years of support, the Los Angeles Public Library has named the Judith Krantz Fiction Collection in her honor.
         Dazzle (1990) (adapted as a 1995 miniseries)
www.lfla.org
She passed away from natural causes on June 22 in her Bel Air, California home at age 91. Judith Krantz, whose novels have more than 80 million copies in print, has died.
         I'll Take Manhattan (1986) (adapted as a 1987 miniseries)
Krantz was born Judith Tarcher on January 9, 1928 in New York City, the eldest child of an advertising executive and an attorney. After growing up in New York City where she graduated from the Birch Wathen School at age 16, she enrolled at Wellesley College, graduating in 1948.
         The Jewels of Tessa Kent (1998)
There she met her future husband, film and television producer and writer Stephen Falk Krantz. They were married for 53 years, with Steve Krantz dying in 2007. In 1953, Krantz attended a Fourth of July party hosted by her high school friend Barbara Walters.
         Scruples Two (1992)
Los Angeles, CA  90071
Princess Daisy set the record for the highest price ever paid for a novel at the time. Her second novel, Princess Daisy, as well as many of her other novels also became #1 New York Times bestsellers in hardcover and paperback.
Non-fiction
Krantz began writing fiction only after her husband kept insisting that she was a natural storyteller. Krantz turned 50 the year that book was published, a remarkable beginning to her second act in life. In 1977, never having written fiction, she completed her first novel, Scruples.
Novels
But it was the strong women she wrote about that captivated her audience in a whole new way. Although hugely popular worldwide, Krantz’s novels had a rare combination for commercial fiction: intelligence, complex characters, intricate plots and a wicked sense of humor. Her books received wide-spread critical acclaim while being addictive reads for her millions of fans.
Seven of her novels were adapted for television as miniseries, with her husband serving as executive producer for most of them. She also wrote one original miniseries for television, Judith Krantz's "Secrets", in 1992. More than 80 million copies of her books are in print in over 50 languages.
I also love Proust and Colette.” It's a chocolate eclair. I loved it myself.” And when asked about her favorite periods in literature, Krantz responded with, “My favorite period is the Victorian. About Scruples, she told the New York Times, “My novel gives women a big bubble bath. It's the kind of novel people love.
The Library Foundation of Los Angeles
         Till We Meet Again (1988) (adapted as a 1989 miniseries)
         Spring Collection (1996)
 She worked at Good Housekeeping before being promoted to Fashion Editor. The following year, she returned to New York, where she embarked on a career in magazine journalism. After graduating, Krantz moved to Paris, where she worked as a fashion publicist.
213.228.7500
Krantz is survived by her son, Tony, daughter-in-law Kristin Dornig Krantz, and son Nicholas.
It took four months for Scruples to reach the #1 spot on the New York Times bestseller list. Talking to the Los Angeles Times, she said, “Halfway through the first chapter, I felt I was flying without wings.” Krantz was known to write 10,000 words per week, keeping a rigorous, disciplined daily writing schedule.
 ” />
         Princess Daisy (1980) (adapted as a 1983 miniseries)
Her best-known article was "The Myth of the Multiple Orgasm,” which was published in Cosmopolitan. Krantz wrote many freelance articles for Macleans, McCalls, Ladies Home Journal and Cosmopolitan, spending 27 years as a journalist.
         Mistral's Daughter (1982) (adapted as a 1984 miniseries)
         Scruples (1978) (adapted as a 1980 miniseries)
         Sex and Shopping: The Confessions of a Nice Jewish Girl (2000) (autobiography)
630 West 5th Street
In lieu of flowers, donations can be sent to:

Rooftop Films, Port Authority Team For Screenings At New York’s World Trade Center

The mix of narrative and documentary films includes one short about the 9/11 Memorial Pools. This Thursday night, June 20, a selection of new, independent short films made by New York filmmakers at Liberty Park will screen.
Liberty Park plaza, on the site of the former Twin Towers destroyed in the September 11 attacks, will be the setting for the four screening programs, which all revolve around distinctly New York themes.
In honor of Pride Month, Rooftop Films will next present a screening of You Don’t Nomi, Jeffrey McHale’s documentary analyzing Paul Verhoeven’s camp classic Showgirls, on Thursday, June 27.
Rooftop Films, which has been turning an eclectic range of urban spaces into screening venues since 1997, and the Port Authority of New York & New Jersey are teaming to present free movies this summer at the World Trade Center site.
“Rooftop Films events are more than just outdoor film screenings,” said Dan Nuxoll, Artistic Director of Rooftop Films, which recently unveiled a screening program at LA's The Grove. For this reason, we’re excited to be presenting screenings in such an iconic and historic New York location, and we look forward to working with Liberty Park and the Port Authority to create memorable and entertaining cultural events in lower Manhattan.” “When we curate each of our programs, we consider the neighborhood, community, architecture, live performances, and the themes of the films, striving to create experiences that change the way that our audiences think about the movies and change how they think about their city, about the locations in which the films are shown.
Doors open at Liberty Park at 7:15 PM. The documentary feature explores New York City facing the inevitable consequences of global warming and sea level rising. On July 26, Rooftop Films and the Sundance Institute will present a program of new narrative, documentary and animated shorts culled from last January's Sundance Film Festival. And on August 20, Brett Story’s The Hottest August will screen.
“We are delighted to host such a wide variety of activities planned for this summer at the World Trade Center campus as we continue our efforts in making this site a welcoming space for those who live, work or visit lower Manhattan,” Port Authority Executive Director Rick Cotton said. “We hope that everyone enjoys this cultural mash-up planned this summer.”” />

Five New York Anchorwomen Sue Charter Communication’s NY1 News Channel Over Age And Gender Bias

"We have poured our hearts and souls into our work at NY1, but in the end we have been left excluded, marginalized and vulnerable. We are fighting for ourselves and all other women who face this same struggle on a daily basis, and we hope to send a clear message to all news media across the country that this must change." “Women on TV should accurately reflect women in society and be celebrated at every age, not treated like decoration that can be disposed and replaced with a newer version," the anchors – Roma Torre, Kristen Shaughnessy, Jeanine Ramirez, Vivian Lee and Amanda Farinacci – said in a statement.
In a statement to press today, Charter spokeswoman Maureen Huff noted that more than half of NY1’s on-air talent is female, and that more than half is over 40. NY1 is a respectful and fair workplace, and we’re committed to providing a work environment in which all our employees are valued and empowered.” The Stamford, Conn.-based company, which will be represented by the Proskauer Rose law firm, continued: “We take these allegations seriously, and as we complete our thorough review, we have not found any merit to them.
Janine Ramirez
The suit details numerous examples of alleged mistreatment and discrimination, such as Torre complaining to supervisors about "newer, younger staff getting favorable treatment," to little result. The suit says that Torre told NY1 News Director Anthony Proia that she was being “pushed aside” in favor of male anchor Pat Kiernan "and the younger set."
Staten Island Reporter
Since filing this lawsuit we have received an enormous amount of support for which we are thankful. We are five award-winning female journalists with more than 100 years of collective experience as anchors and reporters for New York One (“NY1”), the metro-area news channel run by Charter Communications, Inc. (“Charter”). Today, we filed an age and gender discrimination lawsuit in the Southern District of New York against Charter/NY1 because we have been treated like second-class citizens for years.
50 years old
Wigdor, who has successfully sued Fox News over similar issues, said his clients will "hold NY1 accountable for their blatant ageist and sexist views and intend to send a message across all media that this epidemic of discrimination toward older women must come to an end."
Torre later told Dan Ronayne, Senior VP of NY1,  "I don’t know if you’ve noticed,
Five anchorwomen at NY1, New York City's premiere, 24-hour news channel, have filed an age and gender discrimination lawsuit against channel operator Charter Communications, claiming they all have been "repeatedly marginalized and relegated to second-class status" as younger women and men have moved forward.
44 years old
Anchor/Reporter
NY1 since 1995
Too bad. Ronayne that when she spoke to Mr. Boo hoo.” "In fact," the suit continues, "she informed Mr. Proia, he said I don’t want to hear any more. That’s just the way it is.
Unfortunately, it is men and younger women that are getting the top anchor positions and time slots while older women are pushed aside and marginalized." The plaintiffs' Twitter handle, Wigdor said, is @UnseenWomenOnTV. Wigdor fired back at the NY1 statement: “NY1’s contention that 'more than half of NY1’s on-air talent is female, and that more than half is over 40' completely misses the point. The question is not how many women there are, but where and when they appear on air.
Amanda Farinacci
Torre is among the channel's most prominent journalists and among the city's most recognizable local news personalities. She and the other four plaintiffs penned an open letter explaining their decision to file the suit – read it in its entirety below. The plaintiffs range in age from 40 to 61.
Torre was acting irrationally, responded 'There isn’t an overall conspiracy. Trust me.'" When Torre later told Proia that she felt she was being "jerked around" and "targeted," Proia responded, “Those are fighting words, Roma.” Proia, implying that Ms. The suit continues: "Mr.
The suit – read it here – was filed today in Federal District Court in Manhattan, seeks a jury trial and claims that the plaintiffs have "each made numerous complaints to management and human resources to address this blatant and ongoing conduct, but they have been ignored, dismissed and disregarded."
Anchor
Kristen Shaughnessy
Brooklyn Reporter/Anchor
NY1 Since 2000
Roma Torre
After the suit was filed this morning, the plaintiffs released the following open letter:
49 years old
NY1 since 1992
40 years old” />
61 years old
NY1 since 2008
Vivian Lee
We are not saying anything new. On the contrary, this is #OldNews.
NY1 since 1996
We are fighting for any woman who has reached a certain age and has been intentionally marginalized, passed-over and deemed less relevant because of her age. We are fighting for ourselves and we are fighting for all of them. We have eight daughters amongst us. There are professional young women across the media who will one day reach our age and absent a cultural shift may one day find themselves in an all too familiar situation. We are fighting for our colleagues who see what is happening but do not dare speak up for fear of retribution. We have talented younger female colleagues. We are fighting for any woman who found themselves signing a severance deal that felt more like hush money, rather than a genuine thank you for years of loyalty and hard work.
“New Yorkers deserve to have the most talented journalists deliver the news," said the women's attorney, Douglas H. Wigdor. "Sadly, after dedicating over 100 years of award-winning journalism to NY1, our five clients have clearly been told that their careers are over, as NY1 seems to believe that younger faces, when it comes to women, are a 'better look' for the bottom line."
Please join us in our campaign to #BroadcastWomen of all ages across the country. You can follow our handle on twitter @UnseenWomenOnTV and join the conversation using the hashtag #BroadcastWomen.
We filed this lawsuit because we have simply been left with no choice — we cannot and will not sit idly by while we are cast aside and our complaints of mistreatment are ignored. While we have poured our hearts and souls into our work, our respective careers have recently taken a sharp decline as we have been confronted with the stark reality of gender discrimination and ageism.
It has been widely reported that older female television journalists often face never-ending hurdles towards advancement and frequently face uphill battles just to maintain the status quo. Because if not now, when? For that reason, the #SeeHer initiative aimed at ensuring the on-air media accurately reflects women in our society was recently highlighted by the New York Times in a March 11, 2019 article titled “The Fight to Be a Middle-Aged Female News Anchor.” Unfortunately, this form of age and gender discrimination will continue to happen until people stand up and make clear that it will not be tolerated. This is hardly a new phenomenon in the news media, and we are not alone. We have decided to use our voices towards that end. This is a conversation that must happen and must happen now.
but the older reporters don’t get on the air as much and the younger reporters seem to be on the air all the time.” Torre also expressed concern about retribution and being branded a "complainer."
Women in media should be celebrated for their diversity of experience and wisdom. In this 21st century, we should be long past the double-standard that allows men to age with gravitas while women are saddled with an expiration date. We should be long past the days that women of a certain age are deemed expendable. We call out all newsrooms nationwide to look in their collective mirror.
Anchor/Reporter

‘The Hunt’ Adds Five Recurring To Cast Of Amazon Series Led By Al Pacino

(TBS) opposite Tracy Morgan and starred in Sasha Louis Vukovic's sci-fi thriller Flora. He previously recurred on Jordan Peele's The Last O.G. Jackson is repped by Harden Curtis Kirsten Riley Agency and Wetzel Entertainment Group. Jackson recently starred in indie rom-com In Reality opposite writer/director Ann Lupo, which just wrapped up its festival tour.
Davies can next been seen in Gurinder Chadha’s breakout Sundance hit Blinded By the Light, which was acquired by New Line and will be released later this year. Davies previously starred in the Off-Broadway production of A Clockwork Orange in the lead role of Alex DeLarge. He is repped by Gersh, Alan Siegel Entertainment and Inter Talent Rights Group.
Baker received an Emmy nomination for her work in the final season of Girls on HBO. Baker is repped by BRS/Gage. Other TV credits include Big Little Lies, Unbreakable Kimmy Schmidt, Gotham, The Good Wife and Nurse Jackie.
Robot for USA. Mostel recently recurred on Sam Esmail’s Mr. He's repped by Headline Talent Agency. A veteran of stage and screen, Mostel is best known for his character work on Billy Madison, Big Daddy, Jesus Christ Superstar, City Slickers 1&2, Rounders and Sophie’s Choice.
The Hunters, as they’re known, have discovered that hundreds of high-ranking Nazi officials are living among us and conspiring to create a Fourth Reich in the U.S. Executive produced by Oscar-winning Get Out writer-director Jordan Peele, The Hunt follows a diverse band of Nazi hunters living in 1977 New York City. The eclectic team of Hunters will set out on a bloody quest to bring the Nazis to justice and thwart their new genocidal plans.
Bermudez is a former host of BET's 106 & Park, appeared on Empire Girls: Julissa and Adrienne and portrayed Carmen in the feature Make It Happen. She's repped by Untitled Entertainment.
Jackson (The Last O.G.) and Jonno Davies (Spotless) have been cast in key recurring roles in the upcoming Amazon Prime Video original series The Hunt, a vengeance-driven Nazi hunting series starring Al Pacino, Logan Lerman and Jerrika Hinton. EXCLUSIVE: Julissa Bermudez (BET’s 106 & Park), Becky Ann Baker (Men in Black), Josh Mostel (Big Daddy), Miles G.
2019 Amazon Pilots & Series Orders
Bermudez will play Maria, a nurse. Jackson plays Danny Rohr, a disgraced journalist. Davies is Tobias, a bodyguard. Baker portrays Juanita Kreps, the Secretary of Commerce. Mostel is Rabbi Stecker of New York City.
‘The Hunt’ Adds Kate Mulvany As Series Regular, 5 More Join In Recurring Roles For Amazon Original” />

Johnnie Planco Dies: Ex-WMA Agent & Parseghian Planco Co-Founder Was 68

He was 68. Johnnie Planco, the longtime New York-based WMA agent who partnered with Gene Parseghian in the management/production company Parseghian Planco, has died. Planco passed away on Sunday, June 2 in New York City, after struggling with an infection that quickly affected both his brain and respiratory system.
Planco was a member of the Board of Advisors of Fordham University at Lincoln Center, and the President Emeritus of The Players Club in New York City.
He is survived by his wife, Lois; his son, Alfred; his daughter-in-law Tiffany; and his daughter Sara, a publicist at Viewpoint in New York.” />
They also produced the William Mastrosimone play The Stone Carver at the Soho Playhouse. Parseghian Planco produced two feature films: Perfume with Peter Gallagher, Omar Epps and Jeff Goldblum, and Paul Schrader’s The Walker with Woody Harrelson, Kristin Scott Thomas, Lauren Bacall, Lily Tomlin, Willem Dafoe and Ned Beatty.
Parseghian died in 2017.
Planco joined the famed WMA mailroom after graduating Fordham U at Lincoln Center with a BA in Theater. This was in 1972, and he would remain with that agency until 2000. Planco was born and raised in New York City, as was his father and grandfather, latter of whom was a Rough Rider under Teddy Roosevelt.
Murray Abraham, Rosemary Harris, Alexander Dinelaris, Don Scardino, Judi Dench, Phylicia Rashad, Scott Glenn and Leiber & Stoller. In 2002 they merged with Los Angeles-based Untitled Entertainment, which added Naomi Watts, Ashton Kutcher and Penelope Cruz to the stable. Their company, Parseghian Planco, repped Daniel Day-Lewis, Paul Schrader, F. He left WMA to partner with another New York stalwart from that agency, Gene Parseghian.
In those 28 years he became the youngest Department Head and Senior Vice President in the agency's history, running both the Motion Picture department in New York and creating and running the William Morris Talent Department. Among the clients he represented were Tom Hanks, Richard Gere, John Malkovich, Rock Hudson, Sterling Hayden, Lauren Bacall, Peter O’Toole, Richard Harris, Jack Lemmon, Walter Matthau, Ben Gazzara, Madeline Kahn, Vincent Gardenia, Michael Douglas, Anthony Quinn, Susan Sarandon, John Cassavettes, Abel Ferrarra and Robert Altman. He was a familiar figure around New York film events, often with the elegant icon Bacall, and he was well liked.

‘The Bold Type’ Renewed For Season 4 By Freeform With Wendy Straker Hauser As New Showrunner

Matt McGuinness, David Bernad, Ruben Fleischer and Joanna Coles also serve as executive producers. The Bold Type is produced by Universal Television in association with Freeform and The District. The series also stars Melora Hardin, Sam Page, Matt Ward and Stephen Conrad Moore.
 
Based on the life of Joanna Coles, chief content officer, Hearst and former EIC of Cosmopolitan Magazine The Bold Type will continue to highlight the real-world issues faced by the employees of Scarlet Magazine.
 ” />
The Bold Type.was a breakout for Freeform, earning a 2-season pickup. Like it was the case at the time of the Season 2 and Season 3 renewal, the series is changing showrunners..Amanda Lasher, who ran the dramedy the last two seasons, will be succeeded by Wendy Straker Hauser, who has been with the series since its first season..
Here’s to more bold stories, friendship and a whole lot of rosé.” But this show is so important to us and our fans because regardless of who you are, we are all just trying to navigate the mess of our lives. We balance careers, friendship and love on the daily. And we are so excited to be coming back for season 4! While on stage at Lincoln Center’s David Geffen Hall, Dee, Fahy, and Stevens said, “On The Bold Type, we play characters who are determined to succeed in the New York fashion media business.
Freeform has picked up a fourth season of dramedy The Bold Type. Series stars Katie Stevens, Aisha Dee and Meghann Fahy made the announcement during the Freeform portion of the Disney upfront presentation in New York City.

Vanessa Kirby, Adam Leon Wrap Drama In New York City

Production has just wrapped in New York City on an untitled film that Adam Leon wrote and directed, and which Vanessa Kirby starred in. Leon's recent films are Gimme the Loot and Tramps. Kirby has most recently been see in The Crown, Mission Impossible: Fallout, and wrapped Fast & Furious Presents: Hobbs and Shaw.
Animal Kingdom, which teamed with Leon on Tramps, produced alongside Topic Studios and Tango Entertainment.
Individual producers include Jamund Washington and Animal Kingdom’s Brad Becker-Parton, Andrea Roa and Joshua Astrachan.” />
The story is being kept under wraps. It was developed by Leon in close consultation with Kirby for many months in advance of shooting. Kirby is also an executive producer on the film.

James Dahl Dies: Filmmaker For ‘The End Of The Tour’ Was 40

James Andrews Dahl, a filmmaker whose Modern Man Films produced the critically acclaimed biopic The End of the Tour about David Foster Wallace, died Feb. 13 at age 40 in West Hollywood.
In lieu of flowers, the family requests that donations be made in Dahl's honor to the Harry Ransom Center at The University of Texas, a research library and museum dedicated to preserving the works of David Foster Wallace. Dahl served many years on the advisory council.
His experiences in the arts in both New York and Nashville led him to set permanent roots in Los Angeles, where he realized his main passion was film. He founded Modern Man Films, an LA-based film, television, podcast, and VR development and production company.
 ” />
Born in New York City in 1978, Dahl spent a decade in Los Angeles before his family moved to Jacksonville, FL, where he attended and graduated from The Bolles School.
18 at 1 PM at Pierce Brothers Westwood Village Memorial Park and Mortuary, 1218 Glendon Ave, Los Angeles, CA 90024. A memorial service will be held Monday, Feb.
Dahl is survived by his parents, Jim and Kathy; his mother, Georgia; his fiancé, Colleen; his sister, Kate (husband, George), and nephews James and George; his brothers Chad (wife, Laura) and Chase (fiancé, Emily); his sister, Rainey; his grandmother, Nannette (“NoNo”), as well as aunts, uncles, and cousins.
He then moved to New York City to continue his studies at the Gallatin School of Individualized Study at NYU, with a focus on creative writing and literature. Following NYU, Dahl headed to Nashville, studying and working in music and earning a degree from Belmont University. After his high school graduation, Dahl moved to London to study literature for one year.

Tory Lanez – Don Queen (Don Q Diss) Lyrics

I get real disrespectful when niggas get neglectful of what we do over here
Highbridge stand the fuck up, yeah
Canada! This, this is a lot of pay-per-view time you’re gettin’ right now
I know you not used to this, you a little frightened
But it’s okay, my son, you know I still fuck with you, nigga
And you know, I mean, at least off of this, at least the celebrities might know your name now, you know? Yeah, yeah, because they was—they…
Who’s that? Like… I hope I did that for you
Oh, in other words too, you wild ugly, nigga
Wild fuckin’ ugly, nigga
You wild ugly, nigga
Fuck outta here Big Apple, New York City, more to pity
How could I beef with a dude only poppin’ in four cities? [Skit: Nicki Minaj & Funkmaster Flex]
—Don’t gotta do that
And Don Q together
Who’s that? He ain’t even a chapter, he ain’t even a factor
QP and Bubba touchin’ way more money than him, they ain’t even the rappers
It hurts when you kill a nigga you love
Ironic that the salt thrown from the niggas that’s slugs
Chewin’ these niggas with no ingestion
I got a real message for my brother Quincy, my nigga, it’s time to go get tested
It’s a couple hoes in Starlets I know you infected
You really out here fuckin’ raw with a scrotum infection
And what’s worse is you know it, still you go unprotected
You need to focus on a hit, need to go get a record
See you can find a Don Q in the ho nigga section
Go get injected with whatever medicine you need to clear up
‘Cause them pills ain’t workin’ for every time it flare up
Yuck, I’ma let you breathe on that
I’m really beggin’ that you think about your physical health
You’ll never see your fuckin’ album on a physical shelf
I’ll beat your ass, whip your kid with the belt
You never flipped it to sell
You’re not a hustler, your daddy was a customer
I got the info from your baby mama playin’ nympho
You drive a foreign but them 25 hundred dollar hosts ain’t enough for you to pay those rentals
You a shameless mental, well my aim is mental, fuck it
My whole mood I showed y’all fuck it
My dick, I done told y’all suck it
I’ll punch your fat ass in your stomach
And make everything in it go up it
You wrote a tape for your nigga that died
You made a promise it would pop and that the shit would be live
Hurts that you had to tell my nigga a lie
‘Cause that mixtape flopped and so did your other five
Put the gun aside, my nigga, you ain’t the one to shoot
Big guns, nigga, you got locked for a 22
Pussy gotta keep a gun on his waist
‘Cause you lil’ niggas scared to get punched in your face
Jada said it best, Quincy made his bed to rest
Invest in a better vest
Better for my case, these bullets rather hit your head than chest
Quit actin’ like you the mob
You tryna play Gianni
But you got ran out of Amazura and Avianne
The Bridge is over, The Bridge is over
I got an extra long clip that’ll hit your soldiers
My hand shoot like shampoo hit his head and shoulders
I’ll send his nine year old a Barbie just to send condolence
Uh, not the money on the head
40 minutes on stage can put a hundred on his head
I made so much millis and hundreds of this bread
I can have the whole Highbridge comin’ for his head
Top floor, Glock’s stocked in the top drawer by the 38
Bound to bring Le’Quincy Anderson up to the pearly gates
Your daughter just came from turnin’ eight
And takin’ L’s right in front of her is what you tryna perpetrate? All this blood make me regurgitate
Don’t let my Bronx niggas move and have to boost up the murder rate
But since we’re goin’ here, I’ll let you know I’m here
‘Cause this record right here’s ’bout to give you more shine than A Boogie ever gave you in your whole career
I spit fire, you from the east side of the Bronx, you just a Highbridge dick-rider
You mad at my nigga Mula ’cause his shit hotter
I know how it feels
Nah, I’m lyin’, I don’t know how it feels
I just know that everywhere I go a nigga know I’m s’posed to be real
And I don’t know how exposin’ me feel, fuck nigga
[Outro]
Just to keep it real, I’m only doin’ this shit with you once
You know, I…. I show niggas love and hatred niggas wanna throw back
He tempted me but never had this energy for Kodak
You paid DreamDoll for a feature to get the pussy
And somehow you think you fuckin’ with me
The first night I seen DreamDoll I fucked her for free
And now you walk around like somehow you got one up on me
Nigga please, this your brother part
This nigga found Soulja Boy’s Gucci headband and wore it in his cover art
Why battle with A Boogie’s shadow? [Intro]
Yo, we only doin’ this shit once
It get real frightening, you know? I hope, I hope you enjoyed this shit though
I hope, I hope you take this as a blessing, you know? I made Forbes with Diddys and sat top floors with 50s
And now I’m fully open, I play the bully on ’em
Call for your squad, you rest, you get decimated
You lookin’ like a Styles P nephew that never made it
Forever hated on niggas like Boogie and me
’Cause we was poppin’ in New York and every hood that you see
The day you beat me will be the day you see see
HOT 97 feedin’ you more lovin’ than they feed me
Don’t let these niggas gas you on that podcast and CC
Highbridge, the Label, but only one of y’all on TV
Only one of y’all’ll see awards and eat with the stars
It ain’t really hard to figure out who I’m speakin’ up for
Now that my foot and knee in the door, let’s talk about it, no walkin’ out it
We ’bout to see Le’Quincy body with the chalk around it
I got the full baggage
You drive a Jeep Wrangler, the basic edition, shit ain’t even the full package
Someone tell Quincy I turn beef into mince meat
Hottest of the century, why did he go up against me? [Verse]
Uh, live from the DM, I’m hollerin’ at your BM
We discussin’ which color casket you ’bout to leave in
I did this shit for no reason, I’m lettin’ rookies battle
But how did I get in this battle with A Boogie’s shadow? Why battle with A Boogie’s shadow?

Colin Kroll Dies: CEO Of HQ Trivia And Co-Founder Of Vine Was 35

What.” I’m heartbroken. HQ Trivia marketing director Andrew Watts tweeted Sunday: “What the f–k.
Before Vine, Kroll was the chief technology officer for Jetsetter, and served as the engineering manager at Yahoo between 2007 to 2009.
Colin Kroll, the former co-founder of social media sensation Vine and CEO of HQ Trivia, was found dead early Sunday morning from what news reports quoting police sources claim was an apparent drug overdose.
The 35-year-old Kroll’s body was discovered by police after his girlfriend told them she could not reach him. The police and the girlfriend went to his SoHo apartment on Spring Street in New York City for a welfare check just after midnight and found Kroll dead in his bedroom.
Kroll was the co-founder of Vine, a short-form video hosting service acquired by Twitter before its launch, and was its general manager between 2013 and 2014. It then produced an Internet archive of past videos, ending the service's active presence. At its peak, the service claimed 200 million active users. But in 2016, Twitter ended uploads to the service.
Kroll became HQ Trivia CEO in September after leaving Twitter, his exit marked by some cloudy allegations of improper conduct.” />

Rightor Doyle’s ‘Bonding’ Short-Form Dark Comedy Series Picked Up By Netflix

https://www.youtube.com/watch?v=SmPp7Vxd1Fk
Co-starring in the series are Micah Stock (Escape at Dannemora) as Doug, D’Arcy Carden (The Good Place) as Daphne, Eric Berryman (Empathy, Inc.) as Andy and Theo Stockman (High Maintenance) as Josh.
Earlier description of the series was more descriptive: Tiff has a little secret: she’s one of New York City’s top dominatrixes, and she’s about to tie Pete up in her underground world of sexual secrecy and BDSM. (watch a trailer below)
Executive producers are Dara Gordon, Jacob Perlin, Nina Soriano, Tom Schembri, David Sigurani
 
Filmed on location in New York last fall with backspills and Anonymous Content producing, Bonding had its premiere at Outfest this past summer and was screened at other festivals. According to sources, blackpills had an option to put it on their platform but instead producers brought it to Netflix, which bought the series fully produced and there will be no editing on it.
It centers on the relationship between former high-school BFFs, Pete (Scannell), a recently out gay man, and Tiff (Levin), a grad student and secretly one of New York City’s top dominatrixes, who reconnect in an unexpected way years later. Written, directed and executive produced/showrun by Doyle, Bonding, whose episodes are 12-18 min in length, is loosely based on his life experiences.
 
 ” />
Netflix has picked up Bonding, the seven-episode short-form dark comedy series from Rightor Doyle (Barry). Originally announced as blackpills original to run on the digital platform, the series starring Zoe Levin (Palo Alto) and Brendan Scannell (Heathers) will instead be distributed by Netflix next year as a global original series.

Melissa McCarthy Deceives In ‘Can You Ever Forgive Me?’; Paul Dano Directs ‘Wildlife’ – Specialty B.O. Preview

Commented Friedman: “If the film is lucky enough to make the short list either for Documentary section or Foreign Language section it will enhance its visibility for a longer theatrical run.”
to eventually be in several hundred locations across North America. The company expects Can You Ever Forgive Me? Searchlight will open the film in three New York theaters as well as two in Los Angeles Friday before adding cities over the next month. debuted at Telluride followed by Toronto last month. Can You Ever Forgive Me?
“It deals with things that Boomers and Millennials are going through right now,” touted Foley. We’re excited about its prospects.” “It’s very real, but at the same time, one of the magical things we found very vividly is the humor — and that captivates the audience.
Director-writer: Ruth Beckermann
She gave her consent to Carey’s vision of the film (Carey was partnered at the time with producer Ted Hope though they later parted ways). Carey and Lee Israel had an early meeting. They picked up the option in 2009, starting a long road en route to the big screen this weekend.
Can You Ever Forgive Me?
Writers: Nicole Holofcener, Jeff Whitty
Although she passed away, the project had access to her correspondence and personal items such as music and clothes through David Yarnell. Lee Israel died in December 2014 well before the project shot in early 2017 over 28 days in New York City. The shoot in New York also lent authenticity.
Distributor: Menemsha Films
Cast: Hilary Swank, Michael Shannon, Robert Forster, Blythe Danner
Bleecker Street is opening What They Had with Hilary Swank, Michael Shannon, Robert Forster and Blythe Danner. Launching in several locations, the film is the first-time directorial by actor Elizabeth Chomko. And on the doc side, Menemsha Films is giving a New York launch for Austria’s Foreign Language contender, The Waldheim Waltz.
Bleecker Street will then take it wide. Next weekend, the feature will head to markets including Boston, San Francisco, Dallas, Houston, Chicago, Seattle, Minneapolis and St. What They Had will open at Lincoln Square, Cine Bistro and the Angelika in New York and will have an exclusive weekend run at The Landmark in Los Angeles. Louis.
What They Had
He also noted that the film is also eligible for the Oscar documentary since it had won the Grand Prize in the non-fiction category in Berlin. Friedman said that the title is being propelled by early reaction from critics and it is promoting that through its social media.
The family drama sold to IFC Films following its debut at the January festival. Sundance premiere Wildlife is the directorial debut of Paul Dano, who also co-wrote with Zoe Kazan.
Also written by Chomko, the company is expecting the title to have legs with both baby boomers and millennials who will spread the word. Also a Sundance ’18 debut from a first-time director with a named cast, Elizabeth Chomko’s drama What They Had became a Bleecker Street title in the production phase.
“We first saw it at Sundance and I thought it was one of the best films [by a first-time director] I had ever seen,” said IFC Films co-president Jonathan Sehring. Jake has the toughest role. It’s like you’ve never seen him before.” IFC Films is opening the title this weekend as awards season is revving up. “Everyone was talking about Carey Mulligan’s [performance], but everyone in the film is amazing.
Bleecker Street is targeting the traditional art house crowd 45 and older to see the film in its opening weekend and then spread the word to friends and family. “And by the way, that’s a good thing because they will advocate for the film.” “It’s a splendid story that will fit with an avid, core arthouse crowd,” noted Foley.
Writers: Zoe Kazan, Paul Dano
“There was no other place we’d really shoot it,” said Carey. Some locations were places Lee frequented. “We found some great bookstores and locations that were still period specific. [Independent bookstores] are a dying breed in New York City, but we were lucky to find some.
It became richer and richer and then the right team makes the right broth.” “With Nicole, we still had access to Lee Israel,” said Carey. “For whatever reason, it didn’t work that way [with Holofcener directing]. Jeff Whitty, who wrote the book for Avenue Q, boarded as scriptwriter and later Nicole Holofcener also worked on the script with the idea of directing. Everyone who touched the script added to it. I’ve worked on a lot of adaptations and they take a long time. But in the long run, it’s all additive. When you’re in the thick of it, it can be volatile. She later departed the project.
Director: Marielle Heller
The story centers on 14-year-old Joe, the only child of Jeanette and Jerry – a housewife and a golf pro – in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job – and his sense of purpose – he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves. Suddenly forced into the role of an adult, Joe witnesses his mother’s struggle as she tries to keep her head above water.
Cast: Melissa McCarthy, Richard E. Grant, Dolly Wells, Jane Curtin, Ben Falcone, Anna Deavere Smith, Stephen Spinella
Also one to watch this weekend is A24’s Mid90s by Jonah Hill and starring Sunny Suljic, Katherine Waterston and Lucas Hedges. Other limited releases include Freestyle Digital Media’s LGBT/anti-bullying film Reach as well as Dark Star Pictures’ Brampton’s Own in a day and date start. Abramorama is opening The Price of Everything; Vertical Entertainment is taking Nigerian Prince out day and date and Archstone Distribution is rolling out Big Kill by writer-director Scott Martin in select theaters. And Oscilloscope is opening On Her Shoulders, about about Nadia Murad, a recent recipient of the Nobel Peace Prize by filmmaker Alexandria Bombach
In 2008 a friend of producer Anne Carey gave her a manuscript about Lee Israel, the figure at the center of Fox Searchlight’s Can You Ever Forgive Me?, which begins its roll out Friday. “I got in touch with an agent and passed our interests to Lee.” “He thought I’d get a kick out of it, and I thought it would make a terrific movie,” said Carey.
The Waldheim Waltz
Distributor: Bleecker Street
What They Had centers on a family in crisis. Bridget (Hilary Swank) returns home to Chicago at her brother’s (Michael Shannon) urging to deal with her ailing mother (Blythe Danner) and her father’s (Robert Forster) reluctance to let go of their life together.
The film, starring Jake Gyllenhaal and Carey Mulligan, opens via IFC Films after playing recent festivals. Paul Dano makes his directorial debut with Wildlife, which he co-wrote. The feature is one of several Specialty titles heading into release with name casts and possible awards hopes.
Subject: Kurt Waldheim
Director-writer: Paul Dano
Added Foley: “We want to be wider at the beginning of November before more of the competition gets their films out.”
The Waldheim Waltz will open exclusively at the Metrograph in New York Friday. It will begin its L.A. run November 16 along with Toronto. Added Friedman: “From there we will go city by city and release the film in as many markets as the film warrants.”” />
Distributor: Fox Searchlight
Cast: Jake Gyllenhaal, Carey Mulligan, Ed Oxenbould, Bill Camp
“I remember saying to Paul back during a Boyhood event that he should direct. Sehring said that long before Wildlife, he encouraged Dano to try taking the helm behind the camera. It doesn’t surprise me that he has made such an accomplished films.”
“The script showed itself to be challenging, and as it turned out, it all jelled beautifully. It is what we had hoped for.” “We were attracted to the cast, which is a quartet of superlative talent,” said Bleecker Street’s Jack Foley.
Director-writer: Elizabeth Chomko
hits theaters this weekend via Fox Searchlight. Following a nearly ten-year journey, Can You Ever Forgive Me? Grant, and based on the true story of celebrity biographer Lee Israel, the film will have a platform start this weekend en route to several hundred runs. Starring Melissa McCarthy and Richard E.
Jawal Nga and Bob Balaband came on as executive producers with some financing. “In 2009, it was hard to find equity financing,” said Carey. “But we believed in the project.” At Lee Israel’s urging, her friend David Yarnell also joined as a producer. The filmmaking team eventually brought the project to Searchlight which also partnered.
Wildlife
“The film had just presented in the New York Jewish Film Festival which was the perfect launchpad for its theatrical release in North America,” noted Neil Friedman, founder and president of Menemsha Films. “We chose this weekend to open because the New York Festival screenings on October 11 and 14 work as word of mouth preview screenings for the film in New York.”
IFC Films said it is expecting a younger skewing audience, but that it will also play to mature demos due to its “Oscar worthy” performances.
Wildlife will open in New York at IFC Center and the Film Society of Lincoln Center and in Los Angeles at The Landmark ad Arclight Hollywood this weekend before broadening to other markets.
Documentary The Waldheim Waltz is Austria’s official entry for Academy Award Foreign Language consideration. Menemsha Films picked up the title at the Berlin International Film Festival last February. The company noted that the film’s subject, Kurt Waldheim, is a “precursor to Donald Trump,” adding, “He could lie without flinching.”
Grant). When Lee found herself unable to get published because she had fallen out of step with the marketplace, she turned her art form to deception, abetted by her loyal friend Jack (Richard E. In Can You Ever Forgive Me?, Melissa McCarthy stars as Lee Israel, the best-selling celebrity biographer (and cat lover) who made her living in the 1970s and '80s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estée Lauder and journalist Dorothy Kilgallen.
Distributor: IFC Films
An Austrian diplomat and politician who served as Secretary-General of the United Nations from 1972 to 1982, Kurt Waldheim ran for the presidency of Austria in 1986. The outbreak of anti-Semitism and nationalism along with the country’s collective whitewashing of its Nazi-era past all led to Waldheim’s election. His nation elected him despite a controversy over his previously undisclosed role in the Nazi regime during World War II: it was alleged that Waldheim participated in the deportation of over 60,000 Jews in Greece during WWII – which he and Austria's political class vehemently and disingenuously denied. Although discredited by Western nations and placed on the U.S.' watch list, Waldheim astonishingly went on to serve with impunity as head of state for six years.

‘First Wives Club’: Mark Tallman, RonReaco Lee & Malik Yoba Set As Male Leads In Paramount Network Series

Tallman will play David, Ari's (Bathe) husband, a very driven politician running for the Senate, whose ambition and ego often come before his wife and family.
He’s repped by Stone Manners Salners and Steve Rodriguez of McGowan Rodriguez Management. Single Ladies alum Tallman has recurred on Rise, Dietland, The Good Fight and most recently Law & Order: SVU.
Lee is Gary, Bree's (Buteau) college sweetheart husband, a dedicated teacher and father whose infidelity will prove to be a challenge for their marriage.
Filming on the series is scheduled to begin in New York City this fall for a 2019 premiere. First Wives Club will launch Paramount Network’s new Thursday dramedy night in January. It will be followed by Younger Season 6 and new series Emily in Paris, both from Darren Star, slated to debut on the same night in spring and summer, respectively.
EXCLUSIVE: The First Wives Club serieshas found its guys. The 10-episode series hails from Girls Trip co-writer Tracy Oliver and Paramount Television. Single Ladies alum Mark Tallman, RonReaco Lee (Survivor's Remorse) and Malik Yoba (Empire) are set as the male leads opposite Ryan Michelle Bathe, Michelle Buteau and Jill Scott in Paramount Network’s dramedy based on the popular 1996 Paramount film.
Yoba will portray Derrick, Hazel’s (Scott) unfaithful music mogul husband who is very entangled in her career.
Yoba is known for his work on New York Undercover, Empire and Designated Survivor. He can most recently be seen recurring on Tracy’s Morgan’s comedy series The Last O.G., Netflix’s Seven Seconds and a guest-starring role on Fox’s Gotham.” />
It follows Ari (Bathe), Bree (Buteau) and Hazel (Scott), who band together after their marriages fall apart and find strength in their sisterhood — and of course a little revenge. The First Wives Club series, like the movie that starred Diane Keaton, Bette Midler and Goldie Hawn, will be set in New York City.
He is repped by APA, AGS Media, and attorney Rick Genow. Lee starred as Reggie Vaughn on Survivor's Remorse and most recently recurred on The Quad.

Elena Satine, Matt Levett To Lead ‘Caviar’; Nicky Whelan, Ashley Rickards Star In ‘The Danger Of Positive Thinking’

Directed by Joseph Mensch, pic is based on the memoir Career Criminal. Set in a Russian mafia of 90s era Brooklyn, the plot revolves around Misha "Mike" Markovich (Levett), a gifted young stockbroker who gets betrayed by his people and sentenced to six years in prison. The film is currently in production in New York City. When he gets out, his need for vengeance puts him in the crosshairs of Alexander Pushka, Mike's former mentor and the head of New York's Russian mob. Mensch and Metin Aksoy cowrote the screenplay, which is being produced by Adam Folk of Bullet Pictures. Elena Satine (The Gifted, Revenge) and Australian actor Matt Levett (A Place to Call Home, Devil's Playground) will star in the indie revenge thriller, Caviar, along with Anna Baryshnikov (Manchester by the Sea), Toby Leonard Moore (John Wick), Bill Sage (Hap and Leonard), and Rade Serbedzija (Proud Mary).
 ” />
It follows a self-help writer (Whelan) and her family who become the target of a troubled girl (Rickards). Stargazer Films' Anthony Del Negro, Zach O’Brien, and Shane O’Brien are the producers of this film. Farm), Parker Mack (Ouija: Origin of Evil), Heather Morris (Glee), Jesse Hutch (The Butterfly Effect), and Kourtney Hansen (Nashville). Nicky Whelan (Hall Pass, Halloween II) and Ashley Rickards (Awkward) topline indie thriller, The Danger Of Positive Thinking, from director Sam Irvin. The pic also co-stars Sierra McCormick (Disney’s A.N.T.

Michael Che Says Louis C.K. Has A “Right To Speak And Make A Living”

C.K., who admitted to sexual misconduct at the end of last year, has been under a lot of criticism for his apparent comeback. Che, who deleted his Twitter account about three years ago, addressed the skeptical and quick-to-judge "Megans" of media and how they "freak out" because the world is still turning.
Perhaps we can expect more of his thoughts about C.K. 17 with his "Weekend Update" co-anchor Colin Jost. I can't wait to hear what the Megans have to say. when he takes the stage. Che is set to co-host the Emmys on Sept.
https://twitter.com/SopanDeb/status/1034610850378801152
Meaning he can be shamed, humiliated, lose millions of dollars, lose all of his projects, lose the respect of a lot of his fans and peers, and whatever else that comes with what he did, but since he can still do a comedy set for free at a 200 seat club a year later, it means he got off easy. "What’s interesting to me about these articles against Louis CK performing again, is how important fame is to people," Che said on his Instagram stories, which have since disappeared. Because to them, he’s still winning. THAT’s how coveted fame is.” "A lot of what I read says that CK shouldn’t get to be a ‘famous’ comedian anymore. Isn’t that strange?
He continued by saying "just because it looks to you like someone is 'getting off easy' cause they still have the perks you would kill to have, doesn’t make it so."
I haven’t talked to him in a while. I don’t know what he’s done to right that situation, and it’s none of my business. One person said that C.K.'s return would lead to money and more opportunities that he "shouldn't get." Che responded: "Who's to say what someone should be 'allowed' to get?" Another messaged him and asked what he thinks the disgraced C.K. deserves to which Che replied, "Man, I don’t really know. Naturally, the Megans and critics of social media elbowed their way into Che's Instagram stories to respond to his thoughts. I don’t know any of his accusers. But I do believe any free person has a right to speak and make a living."
https://twitter.com/SopanDeb/status/1034616246921244672″ />
https://twitter.com/SopanDeb/status/1034604605777358848
As comedians continue to have heated debates about Louis C.K.'s unofficial return to stand-up comedy, Saturday Night Live "Weekend Update" anchor Michael Che took to Instagram to chime about the coverage of C.K.'s recent surprise stand-up set at New York City's Comedy Cellar Sunday night.

Post Malone Posts All Is OK After His Plane Makes Emergency Landing

A private plane carrying rapper Post Malone a night after he performed at MTV's VMAs made a successful emergency landing at a regional New York airport after its tires had blown during takeoff.
The plane had to burn off fuel before it attempted a landing. The hobbled plane was originally diverted to Massachusetts before being directed to Stewart, which is about 70 miles north of New York City.
Malone posted on Twitter after the landing:
Post Malone’s “Rockstar” won the VMA for Song of the Year last night; he ended the show with a performance alongside Aerosmith.” />


The jet took off this morning from New York's Teterboro Airport bound for London Luten Airport, according to Federal Aviation Administration officials. Malone was headed to England where he has gigs this week at the Reading music festival (Friday) and Leeds music festival (Saturday).
The jet, a Gulfstream IV, landed without incident this afternoon at New York Stewart International Airport in Newburgh, NY, where multiple emergency vehicles were waiting. The event was also captured live by local TV stations. News that the flight might be carrying Post Malone among its 16 passengers spread quickly; the Associated Press said fans had gathered and cheered loudly as the plane landed.

‘Central Park Five’: Chris Chalk, Ethan Herisse Among 6 Male Leads Cast In Ava DuVernay’s Netflix Series

The series will span from the spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York. Based on a true story that gripped the nation, the four-episode series will chronicle the notorious case of five teenagers of color who were convicted of a rape they did not commit. The four episode limited series will focus on the five teenagers from Harlem — Antron McCray, Kevin Richardson, Yusef Salaam, Raymond Santana and Korey Wise.
DuVernay will write and direct all four episodes of the narrative series. Jeff Skoll and Jonathan King from Participant Media, Oprah Winfrey/Harpo Films, Jane Rosenthal and Berry Welsh from Tribeca Productions and DuVernay will executive produce.” />
It was previously announced that Michael K. Williams, Vera Farmiga, John Leguizamo, Felicity Huffman, Jharrel Jerome, Jovan Adepo, Niecy Nash, Aunjanue Ellis, Kylie Bunbury, Marsha Stephanie Blake and Storm Reid joined the cast.
Chalk will play Adult Yusef Salaam; Miyares and Cunningham will play Adult Raymond Santana and Adult Kevin Richardson, respectively. Jerome will portray Adult Korey Wise in addition to Young Korey Wise. Together, they will star alongside previously announced Jharrel Jerome and Jovan Adepo (Adult Antron McCray) as the adult men in the Central Park Five case.
Together with Jerome, they will portray the young teenagers wrongfully accused in 1989. Ethan Herisse will play Young Yusef Salaam; Marquis Rodriguez (Chicago Fire) will play Young Raymond Santana, Jr.; Caleel Harris (Goosebumps 2) will play Young Antron McCray; Asante Blackk will play Young Kevin Richardson.
Ava DuVernay's Central Park Five Netflix drama has unveiled its leading men. Chris Chalk (Gotham), Ethan Herisse (Miss Virginia), Marquis Rodriguez (Chicago Fire), Caleel Harris (Goosebumps 2), and newcomers Freddy Miyares and Justin Cunningham have signed on to Netflix’s limited series from A Wrinkle in Time and 13th director DuVernay.
Filming began this week in New York City. The limited series will be released on Netflix in 2019.

How Paula Malcomson’s Abby Swung TV’s Most Male Show ‘Ray Donovan’ Toward Season-Long Female Focus: Emmy Q&A

Her work there was just gorgeous. SCHREIBER: I watched that again just recently. I think Paula’s work in that is as good, or better, than anything I’ve seen on film, on stage or TV.
I subscribe to the theory you are only as good as the people you work with and I’ve never had a better screen partner than Paula. She pokes, she prods, she catches, she pushes, she floats, she’s just always present and active, asking questions and challenging herself and everyone she’s working with. That’s something I’ve come to love and need and the idea of parting with that last season was very hard for me.
Jesus, that was so tough, but cathartic because you just said goodbye to this character, in this way, with goodbyes to the crewyou’re your fellow actors, and with the audience. MALCOMSON: Yeah, I got the boss standing right next to me, and I think we had just shot my death scene when I saw you. But no one could know.
That was an idea that I'd been waxing on for a while. It got me back to Belfast and it was a different character, not like Abby. MALCOMSON: I don't know. As far as the next bit, I don't know what it's going to be. I went home to Ireland and did a series about a woman who leaves her children.
I just felt bad that I had to lie about it, because that’s not me. I wanted to tell you, here's what's happening. MALCOMSON: No, not at all.
Even though he's out fu*king other women, they had a very dynamic physical relationship. We weren't going to be Carmela and Tony. MALCOMSON: They had such a dynamic. They have sex, and he has sex with others. This was a different way to go. It was not going to be these two people who don't have sex. From the very beginning, I really wanted that to be as robust as possible.
She declined cancer treatment when her breast cancer was caught early; she didn’t want to lose her breasts. It was as much vanity and pride as her physicality being key to competing for this husband whose twisted psyche compels animalistic extramarital urges. DEADLINE: Abby’s fit in that #MeToo mindset is complicated.
We all know what a genius she is, but in this world of Ray Donovan we were having a hard time reaching for her character. We looked at a lot of different ways to tell that story and this was the most emotional and scariest, which is probably why we chose it. It was the highest bar and frankly it was also going to be a way to write for Paula in a way we hadn’t been able to before. HOLLANDER: We knew we were coming to New York and were going to change things in Ray’s world, and in his condition and emotional life.
That was something that Liev needed and wanted because he lives in New York and he's got his kids. I think there was that aspect of he felt very guilty about that. It was hard for him. MALCOMSON: It was a double-edged sword because he wanted to move the show to New York. It was hard for all of us, but the decision had been made. That's completely understandable.
The way you describe Ray Donovan as the guy who takes his shirt off and comes back to the bar with the baseball bat? This is a guy show, and so initially this felt like it was a very male-brain impulse. I always loved that stuff, it’s great. Women are on the cusp of something, where you hear everybody saying, okay, we need our own stories. Now, there's a lot going on in the world. But there is also me, as an actress, wanting to tell something that is more from the female perspective.
MALCOMSON: That it wasn't a good one. The first one was kind of full of fu*k you.
Abby’s slow deterioration from breast cancer shook the show to its core and took away the foundation that kept Donovan somewhat honest. DEADLINE: All the more remarkable because as Paula says, it is a boy’s show. After punching in a song on the jukebox, he opens the trunk of his luxury car, carefully folds his designer shirt and retrieves his baseball bat. Mickey Donovan (Jon Voight) has surrounded himself with a barroom full of tough guys who say he isn’t going anywhere. A scene that personifies the male appeal of Ray Donovan is the one where the fixer goes to Mexico to retrieve his father for the FBI. Sure, this was a family haunted from scars left by a pedophile Boston priest, but displays of emotion? We hear him tear apart the bar before he drags out his unconscious father. Ha. Ray excuses himself. Why did this happen?
For me, Abby was for Ray a beacon, a way out of the storm. SCHREIBER: Abby was so many things to Ray; you could argue she was everything to Ray. That was part of the pitch when David first started talking about whether or not we would lose Paula. What happens to Ray, what happens to the train if we take the wheels off? One thing she always was to me and how I thought about Ray, was a lighthouse. For a guy who’s so tightly wound and insecure around intimacy, she was his safe place. She was his barometer of sanity, of what is right, what is home and what is safe.
DEADLINE: It was a stark contrast to the vibrant physical relationship that existed between Abby and Ray.
DEADLINE: So where next, Paula, after starring in two well written male-centric series, playing women who pull emotion, empathy and vulnerability out of dark men?
And I was really, really, really up close and personal with that, and it was a fu*king nightmare. I wanted to lose weight. And so I had to sort of abuse myself, to get there [with Abby]. It took a long time, and she was very, very, very sick, very sick. I wasn't really very nice to myself during that time. MALCOMSON: I’d been through that; my best friend died of cancer. I was not eating much. I didn't want to do a pretty version of it. I wanted to be frail.
DEADLINE: What was most troubling?
DEADLINE: What was your back and forth like at that point with Liev, your onscreen partner who is also a producer?
To those like me who felt Abby the most redemptive character in that volatile Irish Donovan family, watching the deterioration was like a blow to the gut with Ray’s baseball bat. DEADLINE: Season Four ended with the Donovan clan emerging from a near fatal calamity to appear closer than ever. Watching Season Five unfold when it soon became clear Abby won’t survive despite her fixer husband’s desperate efforts. I especially felt dumb for my comment to you at that party, and hoped you didn’t think I was belittling something you took so seriously that it sometimes felt grueling to watch.
DEADLINE: What did sacrificing Abby allow you to explore as a writer, David?
She gave brilliant performances in scene after scene, and almost doubled her efforts to make the season what it was. And we never really looked back after that. She was a joy throughout the year, devoted to that through line that was [Abby]. HOLLANDER: When the scripts started coming and we sat down to read and talk about them, Paula clicked in to what the story was and how she wanted to perform it.
We didn’t actually say a word, which was different for us. We were very quiet and just stood together through that final take. HOLLANDER: I directed the final episode, and Paula and I were standing together on the East River when she was playing that kind of ghost that comes back and Ray sees. It was the last shot of the season and her last shot, too. That was probably my most emotional moment with her, in that last shot, and the quiet moment. Paula is a dear friend of mine and we never run out of things to say. There was something remarkable about that silence, standing there and knowing the journey she’s been on and what a brave process she went through.
But I thought it was too easy to take away the female lead from the show. So I was dealing with that for a while, since not last November but the one before, the ‘what is this, why are we doing this?’ MALCOMSON: It was because…I thought it's too easy and there's other ways. The show needed to make a move to New York, and going into the sixth season, they were going to have to change things up. I think giving her cancer in the first place was already jeopardizing things. I was like, why don’t we do something else, find another way to subvert the audience's expectations?
But the first conversation was really not nice. MALCOMSON: Well, so there was that initial conversation, where I was disappointed and thought we could do better, dig into her storyline, explore other things. Then when it was clear this was happening, it was, how are we going to do this in a way that makes me feel like I can do my job as an actor?
DEADLINE: When I first met you and David Hollander at a Deadline Emmy party, my opening line was something like, I hope we’ve put Abby’s breast cancer scare behind us, who can imagine Ray Donovan without his grounding wire. What a tool I am. You guys gave me a look I now understand fully.
DEADLINE: Because the 112-page script is the whole movie?
Though we talk occasionally. SCHREIBER: The last word between the two of us? On both days, I was sheepishly avoiding it, I didn’t want to think it was over. That has not turned out to be true unfortunately, and that is the nature of this business. We shied away from it. You think, oh, well, we’ll still hang out, I’ll see you all the time and it will be fine. We had a last day in LA, and then in New York when we shot on the roof.
It was a combination of being riveted and amazed by the work, while at the same time feeling blue that this was happening. What I found was, the saddest and hardest things are often the most creatively satisfying at the same time. Episode 8, Abby’s death, was the most painful to shoot. It is also an episode where people brought their finest acting and filmmaking to.
But, it’s kind of a boy’s show, isn't it? MALCOMSON: That's very sweet.
DEADLINE: What is your mindset?
I don't know. MALCOMSON: I think we all went and got drunk, maybe.
DEADLINE: What did you do, after Paula’s final scene?
DEADLINE: Did you hear it even from the male viewers drawn to Ray Donovan as the prototypical tough guy who sees emotion as weakness?
DEADLINE: It was clearly your priority not to glamorize Abby’s physical deterioration as cancer overtook her body.
DEADLINE: The one where, with the help of her daughter Bridget (Kerris Dorsey) and Ray’s brother Terry (Eddie Marsan), Abby ends her life and her pain, and while Ray uses his fixer skills to make a Faustian bargain to get her an experimental treatment that could save her, he was too late.
But I came away feeling that maybe this would be a good thing for assisted suicide, that it could be something important and something I haven't seen on television. I got a say. MALCOMSON: At first I had this feeling like, there's no way, I want to come in and talk to you guys, after they written one of the early scripts. It was hard but I tried to make that leap with Abby. They were just incredibly respectful of my feelings. And the beauty of it was, we were all going through it together, the writers too, and nothing was set in stone. I think they weren’t going to do her sickness so strongly. I told them what I was thinking. And I wanted her to have no hair and to really show the physical toll.
It really felt like we were breaking up a double act and I was left feeling like I didn’t know if I was going to ever have another partner like that.
DEADLINE: When did it feel right?
I have tried to be a real writer’s actor. There's something about digging into that unknown place; it's like a real psychic journey, and you’re bringing in your own stuff. MALCOMSON: Yeah. I'm a real admirer Philip Seymour Hoffman who could go into a movie and bang, right there, you know in that instant who his character is. It’s something David Milch taught me, the whole lead and follow with your writers approach. When I do films, I find I leave going, god, I wish I had thought to do this or that. I always felt like I have this slower burn.
She’s such a fighter. At first, I was against the assisted suicide thing. I was like, well, fu*k, you know that's not Abby, especially with her kids. Why would she not…fight? We weren't going to do this typical, straightforward, linear cancer storyline. To where she didn't want to put her kids through more. There's only so much I can worry about. I'm not that actress. That’s why I had to get her that sick, that fu*ked up, to get her without hope. And how do I get to that place? You know when you watch people wake up in bed and they've got their makeup on? I was frankly worried this show wasn't the right vehicle for that, but then I had to say that's not my problem.
This gave us an access point to their relationship we never had before. There were discoveries along the way. The joyous thing was an ability to reach into Ray and Abby’s relationship in a way we never had been able to do before. The joy they felt together, remembering funnier times, from Vegas to the ice skating episode, things we really hadn’t been able to access because of the forward momentum of a show about a Hollywood fixer, and frankly the male muscularity of the show. Sometimes that’s the way you have to go to get deeper into stories and character. The whole thing was challenging to us as artists but also to the audience as well. It became a love story of a very different dimension and personally I thought that was gratifying and challenging.
Here, Malcomson, Liev Schreiber and executive producer David Hollander describe the pain and opportunity that came with ending a character who was the moral spine of the show, and the troubled Donovan clan. It is somewhat surprising in the run-up to Emmy that more attention isn't being paid to Paula Malcomson's brave final season-long performance in Ray Donovan. For the Belfast-born actress, this ends two long runs as women in male-voiced shows who drew emotion and humanity out of black as pitch antiheroes — she previously played Trixie, the prostitute/lover of Ian McShane's Al Swearengen in the David Milch-created HBO drama Deadwood. Malcomson's Abby, the scrappy Southie-born wife of the emotionally repressed Hollywood fixer, shockingly finished her long run on the Showtime series when –spoiler alert– her character ended a losing battle with breast cancer by taking her own life, a story line that is intricately woven into the entire fifth season of the drama.
DEADLINE: Why?
This is the thing for me with this show, and Liev. There’s no end of stuff to get into with family. I think that what we did was so beautiful. We built this relationship, around which all these shenanigans happened. Take the antihero story and tether it to some real family stories. How many times are you going to see him go and beat people up. To me, what my job was is to tether this thing to reality so that it's not just…I mean, the stuff is fun, but it can get hold.
And not see her replaced by a 20-year-old or whatever? At first she wasn't that. These are the things we were talking about. How after that, are you going to lose the female out of the show? And I did my damnedest to get underneath that. She was antagonistic. I just wanted to make sure that if we were going to do it, we were going to do it right. MALCOMSON: You called Abby a beloved character. She was written in a sort of very wife trope, naggy way. But the thing about it is, it took a lot for us to get her there.
LIEV SCHREIBER: Episode Eight…
Paula, what do you remember of that initial conversation when David told you this? But rarely does a major show replace a character who was the conduit to drawing out the vulnerability in a hulking character who loathes showing emotion. And actors are there to serve that vision. DEADLINE: It is understandable that the show’s chief creative architect has the right to determine his main character’s path.
Ray’s emotional demise was about her, Ray going where he went and landing in the East River, was about her. It was a story line completely centered around Paula’s character. But when you make painful changes, there's no fun, either. The elements of the hard stuff, dying of a disease we are scared of, also introduced for the first time where we writing from the female side of the story and getting drawn in, and we never really did that before. Bridget [Kerris Dorsey] had a lot of purpose, Abby had a lot of purpose and so did Susan Sarandon. DAVID HOLLANDER: It was 100% her season, from the first episode to the last. You can’t repeat yourself endlessly, that can be no fun. There’s the feelings stated by people who watch the show and liked that, and those who didn’t. The through line was hers. We were all really proud of the season and amazed and proud of Paula’s work. But on a long running show, no one likes sameness, either. It changed the dynamic of the show and it was interesting to watch [the reaction]. Everything was named after her and followed her.
A nightmare. PAULA MALCOMSON: Would we best describe that look as sheepish? I remember that. I was in the thick of that whole thing right then, and I couldn't say anything.
DEADLINE: Now, my thought is, why aren’t more people talking about your performance and Abby’s season long death spiral of a beloved character so central to core of Ray Donovan?
People in the street just coming up and picking me up off my feet and hugging me. MALCOMSON: Grown men have come up to me in New York City, like, ‘I fu*king love you, Abby, what the fu*k?’ There was a lot of hugging.
DEADLINE: Give away your death scene to a journalist with David Hollander standing right next to you?
Sometimes we would share it, but we were very linked to each other, intuitively. Sometimes I would take more of the weight and sometimes she would. There was a thing with us that had to do with picking up on each other, like good scene partners, musicians or figure skaters. She was my Lady Macbeth.
My way with anything is to try and hit people and touch nerves and make people feel, and that’s what this has done and I’ve been happy to hear it from people because I feel like I've done my job.
Abby raged over Ray’s infidelity, but never conceded and even once took on her own lover. DEADLINE: In the Tony Carmela Soprano dynamic, I recall Edie Falco’s character rationalizing Tony’s infidelity by saying to her it was like masturbation, even though it didn’t hide her hurt and betrayal.
So to me, I was passing that to Kerris and it was very important that she was in that scene with me at the end. I don't know that I thought like, oh my god, this is mine, because whatever you give me emotionally, I'm going to throw down with it. MALCOMSON: There was more story to tell than that, though. They brought this incredible empathy, and there was something incredibly beautiful and serene about doing that scene. I’ve always been kind of the supporting actor and the role is to truly serve the story. Eddie [Marsan] too.
Over the years, this was something I’d talk to the writers about, like really, guys? MALCOMSON: I think that was such a strong part of their dynamic, that she always wanted to get to the truth. But there are some givens in this show, it’s set up a certain way, we can't change it that much, but I always tried to open things up. Is she really this surprised at this point?
And so you're a co-author, planting little seedlings and the writers are picking up on it. MALCOMSON: There was a bit but it was all [Ray's brother played by Dash Mihok] Bunchy’s thing then. I just love that process so much. It’s why I love TV so much, because as a character, you don't know where you're going. I don't find that as much in films. And then we just started to get more into that world.
Did you see all that potential in early scripts when you signed on to do this after Deadwood? But the show has been so full of shocking surprises, starting with the revelation that pedophile priest’s victimization extended to Ray himself. DEADLINE: It seems unlikely to imagine a season of the most male-centric series on television belonging to a woman.
DEADLINE: We always hear actors covet great death scenes, and here you had one that lasted a season.
You have to fall in love. What do I want to do, what do I want to say, what kind of company do I want to be around? When I was younger, it was like, just fu*k first and hope you fall in love. I've worked with great actors and great writers. Because I've been lucky. And Liev.” /> MALCOMSON: The older I get, I have to be more careful. But if what is next is going to be another five or six years, I look at it differently.
It was tough to do those things while trying to keep this through line of the cancer story. I'm glad you felt like you got hit with a bat to the stomach. That’s what I wanted, because that’s what it is. Flashing back to the nice, good days, happy times [between Ray and Abby]. And then she's sick again, so everything was kind of elastic. I couldn’t portray the cancer quite the way I wanted to, because we were jumping around with time.
The cost to the actor and the narrative was high. But from the dramatic and writing sense, we knew change was coming anyway. We struggled with it together. Paula understood that. So in many ways this was, let’s go out large, strong and big, and let’s make you the center of the story for once. Like any sensitive artist, Paula struggled with that reality, but I struggled with that reality. We were a family and it’s hard to make changes. This was the big shot across the bow.

‘Kaiser’ Trailer: Tribeca Docu Chronicles The Greatest Footballer Never To Play Football

As seen in the trailer above, Kaiser faked injuries, rubbed elbows with gangster club owners, and was a regular in Rio's steamy nightlife scene. All the while, he had a football club career that spanned continents and some of Brazil's most famous teams  — and he never even played a game. footballer for 26 years. Marking director Louis Myles feature-length film debut, Kaiser uncovers the double life of Carlos "Kaiser" Henrique Raposo who essentially conned his way to become a V.I.P. Myles' doc follows Kaiser's fascinating faux footballing career, which has become one of the most fraudulent stories in the history of sports.
Kaiser: The Greatest Footballer Never To Play Football will make its world premiere at the Tribeca Film Festival in New York City on April 21.” />
EXCLUSIVE: Considered the Brazilian Catch Me If You Can, the Tribeca Film Festival documentary Kaiser: The Greatest Footballer Never To Play Football chronicles exactly that: a man who became a soccer superstar without setting foot on the field.

DJ ESCO – Psychedelik Smoke Lyrics

Chiefin’ on some good herb
Esco, 5 up
[Chorus: Future]
Psychedelic flow, smokin’ kush by the pound
Got some girls in my condo, I’ma pimp ’em if they down
Hoe ass niggas wit’ some high-class swagger
I would come to where you at, but I’m on another level
Psychedelic flow, roll some kush, let’s get high
Let the weed take your spirit over and relax your mind
Champagne bubble bath, hope I don’t drown
Let me inhale the smoke, now my head in the clouds
[Verse 1: Future]
Roll up then get some papers
Then roll me up some reefer
I’m still [?] my mind
Go fire me up some diesel
I treat it like it’s legal
Get higher than a eagle
I’m layed up in the crib; me and some mamacitas
We live a life of luxury and everything beneath us
They treat us like some criminals and never thought we’d be here
They can’t even compare niggas like me, I’m out in Egypt
My nigga just went up for appeal, he want his freedom
It’s like George Clint’, P-Funk era, we just on syrup
I keep pourin’ activist codeine, my drink is sterile
I’m a rockstar rapper type nigga, I’m just on steroids
I got pretty New York City bitches, I’m like that A-Rod
[Chorus: Future]
Psychedelic flow, smokin’ kush by the pound
Got some girls in my condo, I’ma pimp ’em if they down
Hoe ass niggas wit’ some high-class swagger
I would come to where you at, but I’m on another level
Psychedelic flow, roll some kush, let’s get high
Let the weed take your spirit over and relax your mind
Champagne bubble bath, hope I don’t drown
Let me inhale the smoke, now my head in the clouds
[Verse 2: Ty Dolla $ign]
Psychedelic kush, that’s that Louie 13
Got some niggas out in New York, send them 20 pounds a week
I be stayin’ medicated, every day I’m meditated
If I’m movin’ too slow, bitch, that probably mean I’m probably faded
Been aound them drugs, but I just stick to marijuana
Niggas get to actin’ up, we hit ’em wit’ the llama
Had me open up, but all these bitches came for Dolla
Niggas tried to sound like me, but they can’t fuck with Dolla
And you know I’m reppin’ Taylor
Homies twistin’ Backwoods, but you know I fuck with papers
I just came from Jungle Boys, the blessed me with the flavors
I would come to where you at, but, lil’ bitch, I’m too major
[Chorus: Future]
Psychedelic flow, smokin’ kush by the pound
Got some girls in my condo, I’ma pimp ’em if they down
Hoe ass niggas wit’ some high-class swagger
I would come to where you at, but I’m on another level
Psychedelic flow, roll some kush, let’s get high
Let the weed take your spirit over and relax your mind
Champagne bubble bath, hope I don’t drown
Let me inhale the smoke, now my head in the clouds [Intro: Future]
What are those arts?

Flatbush Zombies – U&I (feat. Dia)

Cool milli off the merch, SoundScan’s shuttin’ down now
[Verse 3: Erick]
I put the bread down on something I wanted for years
If my brother need some money, man I prolly sell that shit hey
Break it into pieces, ooh wow there it is
Brothers make real beats, bomb lyricist
Brothers look the other way, nothing come to trouble mate
This is why I love you dog, smokin’ at your mama’s crib
My brother not a local, my brother travel continents
No need to find a hotel, my brothers got the couch and shit
[Verse 4: Meechy Darko]
Debra’s only son, he was conceived in King’s County
That was ’89, by ’92 he was already rowdy
Misunderstood since he crawled out the womb, the only child
And his momma workin’ three jobs, one was dealin’ with drama
‘Cause I was wildin’, he used to rarely see his father
They seperated, couldn’t keep his dick in his pajamas
Because he was out there hustlin’, tryin’ to be a provider
Tryin’ to turn a pretty penny into a million dollars
They tell you ’bout my family, that bipolar disorder
And due to karma my first youngin’ gon’ be a daughter
When I was 5, I told my mama I wanted to die
And then we cry, the crazy shit, man, it wasn’t a lie
Man, this life is filled with stress
So much oppressed, call New York City "9"
I sit alone and reflect, took me 28 years to realize that I’m blessed
My gran’ died from cancer, I quit them cigarettes
Weight of world on my shoulder, I just finished my reps
All addicted to drugs, we all addicted to sex
Feelin’ so self destructive, like I’m clingin’ to death
Took my 5 digit check and copped some bigger baguettes
Take a look at my writing, finger charm on my neck
Still in touch with myself, that flashy shit won’t prevail
I really be shopping for happiness, but that shit ain’t for sale
But if you don’t show ‘em then they won’t think you do it well
I heard that blood is thicker than them Atlanta strippers
But these my brothers, they ain’t got real brothers to know the difference
And Erick if I could, I’d give your mama my kidney
‘Cause she’s my momma too
I promise you I ride for my niggas, die for my niggas
Load .45 Rat-tat, homicide for my niggas
Word up, ’cause you my brothers, love ’em to death
Written in stone, I take my heart and rip it out my chest
To prove to you that it’s Zombie gang, rotten flesh
That’s to the death, nigga—no more, nothing less
True, indeed, Juice, if you ever off or bleed
I’m takin’ care of your seeds, even if that means millions in fees
For custody, she wildin’ out on court, I’m like, "Give that bitch what she needs."
(Order in the court!) Judge please (order!)
I guess I still got alot to maturin’ to do
I know we still got a whole lot of world tourin’ to do
This game is supposed to be locked in, I leak through
Like a real bad pussy pad, watch me seep through
Ooh, it’s Darky baby, a whole different hue
My grand-daddy got 8 balls, come and get a cue
I come from the struggle, motherfucker, get a clue
Headshot, red dot, now make a move
[Chorus: Erick & Juice]
In a world (in a world) full of thieves (full of thieves)
We see diamonds (we see diamonds), we see keys (we see keys)
If the issue (if the issue), talk to me (talk to me)
If I miss you (If I miss you), it’s ’cause you’re deep (it’s ’cause you’re deep)
In a world (in a world) full of thieves (full of thieves)
We see diamonds (we see diamonds), we see keys (we see keys)
If the issue (if the issue), talk to me (talk to me)
If I miss you (If I miss you), it’s ’cause you’re deep (it’s ’cause you’re deep) [Intro: Dia]
Don’t be anxious, or impatient
‘Cause I-I-I want to hold you close and never let go
[Bridge: Juice]
Yeah, she said baby don’t go, but you and I got to be for you and I
This that do or die, po pimp shit recordin’ in the sky
And I get so high that I forgot ’bout last night, right
Yeah, she said baby don’t go, but you and I got to be for you and I
This that do or die, po pimp shit recordin’ in the sky
And I get so high that I forgot ’bout last night, right
[Chorus: Erick & Juice]
In a world (in a world) full of thieves (full of thieves)
We see diamonds (we see diamonds), we see keys (we see keys)
If the issue (if the issue), talk to me (talk to me)
If I miss you (If I miss you), it’s ’cause you’re deep (it’s ’cause you’re deep)
In a world (in a world) full of thieves (full of thieves)
We see diamonds (we see diamonds), we see keys (we see keys)
If the issue (if the issue), talk to me (talk to me)
If I miss you (If I miss you), it’s ’cause you’re deep (it’s ’cause you’re deep)
[Verse 1: Erick]
Ooh, I say we struggle
It’s hard livin’, streets have been unforgivin’
Smoke weed, hold deep conversations with winners
‘Cause these my brothers, love ’em to death
Written in stone, so when I’m gone, they huggin’ our breath
Don’t frequent Hell, Gorillaz-pin on lapel
There’s 6 grams in the blunt, on a mission to find myself
Growin’ and breakin’ ties, cryin’ and savin’ lives
Couldn’t be discontent, temptation arrives
[Verse 2: Juice]
Yeah, I’m patiently waiting
But I don’t really give a fuck if we ain’t in your rotation
I put the heart up on this bitch and can’t nobody take it
Brooklyn niggas, we take it, Flatbush baby, gon’ make it
Check it, but these my brothers, love ’em to death
Written in stone, until I’m gone, we puffin’ the death
No concern, nah, compare us, how?

Artios Awards Film Nominations Unveiled

LOW BUDGET – COMEDY or DRAMA
Susan Shopmaker
Kevin Reher, Natalie Lyon
The Greatest Showman
Gifted
The film noms, submitted by CSA members, follow the Artios noms in TV and theater in September. The awards are given to CSA members using the criteria of originality, creativity, and contribution of casting to the overall quality of a project.
My Cousin Rachel
Beauty and the Beast
Lucy Bevan, Bernard Kelsey (Location Casting), Tiffany Little Canfield (Location Casting)
Sarah Halley Finn, Meagan Lewis (Location Casting), Hannah Cooper (Associate)
Beach Rats
Girls Trip
Guardians of the Galaxy Vol. 2
BIG BUDGET – DRAMA
Jordan Thaler, Heidi Griffiths
Split
Avy Kaufman
The Post
Lora Kennedy, Kristy Carlson, Lucinda Syson, Jeanette Benzie (Associate)
Robin D. Cook, Jonathan Oliveira (Associate)
Carmen Cuba, Mark Mullen (Location Casting)
Bernard Telsey, Tiffany Little Canfield, Rori Bergman (Additional Casting), Patrick Goodwin (Associate)
Jen Rudin” />
Wonder Woman
STUDIO OR INDEPENDENT – COMEDY
Mary Vernieu, Lindsay Graham, Tara Feldstein Bennett (Location Casting), Chase Paris (Location Casting)
Rich Delia
Get Out
Victoria Thomas, Richard Hicks (New York Casting), Carolyn Pickman (Location Casting), Scotty Anderson (Associate)
Three Billboards Outside Ebbing, Missouri
Detroit
Battle of the Sexes
Crown Heights
STUDIO OR INDEPENDENT – DRAMA
David Rubin, Jackie Burch (Location Casting), Melissa Pryor (Associate)
For the New York ceremony, comedian and Patti Cake$ actress Bridget Everett will host and Barry Levinson will be honored with the Marion Dougherty New York Apple Award. Tig Notaro is set to host the Los Angeles ceremony later this month, which will include Nicole Kidman presenting CAA's Kevin Huvane with the Lynn Stalmaster Award for Career Achievement.
Cars 3
Sarah Halley Finn, Tara Feldstein Bennett (Location Casting), Chase Paris (Location Casting)
Dunkirk
Mary Vernieu, Michelle Wade Byrd, Elizabeth Coulon (Location Casting)
Ellen Lewis, Rori Bergman, Kate Sprance (Associate), Karlee Fomalont (Associate)
The Disaster Artist
Fiona Weir
ANIMATION
Rich Delia
It Comes at Night
To the Bone
Logan Lucky
The Nut Job 2: Nutty By Nature
Francine Maisler, Meagan Lewis (Location Casting)
Wonder
BIG BUDGET – COMEDY
Linda Lamontagne
Keven Reher, Natalie Lyon, Carla Hool
Coco
Here's the full list of movie nominees:
John Papsidera
Terri Taylor, Elizabeth Coulon (Location Casting), Sarah Domeier (Associate)
The CSA will also honor casting director Victoria Thomas with the Hoyt Bowers Award for outstanding contribution to the profession.
Douglas Aibel, Diane Heery (Location Casting), Jason Loftus (Location Casting), Henry Russell Bergstein (Associate)
The Artios Awards recognizing excellence in casting took the lid off its feature film nominations today. This year's 33rd edition of the awards, presented by the Casting Society of America, are set for January 18 at the Beverly Hilton and Stage 48 in New York City.
Avy Kaufman
Justine Arteta, Kim Davis-Wagner
Baby Driver
Deborah Aquila, Tricia Wood, Kara Eide (Location Casting), Kris Woz (Location Casting)
Carmen Cuba, Tara Feldstein Bennett (Location Casting), Chase Paris (Location Casting), Charley Medigovich (Associate)
I, Tonya
The Florida Project
Rock Dog
The Shape of Water
Lady Bird

Are ASAP Rocky and Model Tina Kunakey Dating ?

The Harlem rapper and the Tina sparked dating rumors over the weekend when they were spotted showing some PDA while walking in New York City. Aside from banging models and making some appearances at fashion shows and in fashion magazines, ASAP Rocky is currently working on two musical projects due sometime soon. #NewCoupleAlert? The rapper and Jenner split earlier this year and already he is moving on to another hot model. The two were spotted looking #verycozy as they strolled around New York together. (@cityalert) on Nov 16, 2017 at 8:12pm PST The ASAP Mob leader is reportedly working on a joint album with French Montana and also his next solo effort that has been in the works for several months now. #ASAPRocky appears to have a #newgirlfriend in #TinaKunakeyDiVita. Last year Tina dated French actor #VincentCassel – who turns 51 next week – for a number of months. Paparazzi snapped Rocky and Tina holding hands and sharing a few laughed as they made a stroll through the streets of the Big Apple. “Me and Rocky got a project,” French Montana said during a recent interview. Tweet
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ASAP Rocky and smoking hot VC model Tina Kunakey are dating. A post shared by ?City Alert? A$AP, whose real name is #RakimMayers, was last romantically linked to #KendallJenner. “[We’ll] be coming out with it real soon.” ASAP says that his upcoming solo album will feature a new sound that he is testing in an effort to not sound like everyone else currently. A$AP, born Rakim Mayers, is notorious for dating models and was last linked to Kendall Jenner.

Meek Mill Scores Legal Victory In Assault Case Dismissed

The Dreamchaser rapper is looking to put all of his legal troubles behind him so he can clean up his image to attract more corporate deals, or perhaps he just doesn’t want them hanging over his head. Meek Mill is currently working on some new music but he has yet to announced any new albums or mixtapes. Louis after getting into an altercation with a fan who claimed that he just wanted to take a picture with the rapper. Earlier this month, he struck a deal in a traffic case in New York City which sees him walking away with just community service. Just like his NYC traffic case, Meek Mill struck a deal with prosecutors which will see him doing some more community service, TMZ reported. Tweet
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Meek Mill scored his second legal victory this month after getting his airport assault case dismissed. For the traffic case, Meek will have that record wiped clean from his name, as part of the deal he struck. This is the second W for the Philly rapper in October in the courts. His high profile lawyer, Joe Tacopina, confirmed the news yesterday. Back in March of this year, he was slapped with a misdemeanor assault charge in St.

Behati Prinsloo Reveals Growing Baby Bump and Her Pregnancy Craving

Slaven Vlasic/Getty Images

Soleil Moon Frye
The Punky Brewster alum, pregnant with baby No. The model was spotted shopping on Melrose Ave with a friend. Article continues below

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Savannah Guthrie
The Today show co-anchor, pregnant with her second child, appears on the series one day before her maternity leave. Araya Diaz/Getty Images Milk + Bookies

Lacey Chabert
Pretty in pink! FAMEFLYNET PICTURES

Blake Lively
Pretty in floral! Alberto E. Article continues below

Rachel Murray/Getty Images for Harper’s Bazaar

Lake Bell
The actress showed off her baby bump at the Harper’s BAZAAR 150 Most Fashionable Women event in West Hollywood. Article continues below

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Laura Prepon
The actress looked stunning on the red carpet during The Hero film screening in New York City. Felipe Ramales / Splash News

Anne Hathaway
The actress spotted holding her baby bump as she walks to lunch with her friends. Christopher Peterson/Splash News

Liv Tyler
The actress showcases her bump in NYC.  

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Katherine Heigl
The actress delivers tips and tricks to new moms while showing off her Seraphine maternity overbump leggings. Article continues below

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Beyoncé
The pop star used this Instagram pic, taken during a maternity photo shoot, to announce she was pregnant with twins. The singer struck a pose while attending the Harper’s BAZAAR 150 Most Fashionable Women event in West Hollywood. Frank Sullivan/Splash News

Chrissy Teigen
The model is glowing as she steps out with her bump. TMNY / Splash News

Olivia Wilde
Blue jean baby! Article continues below

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Ginnifer Goodwin
The actress steps out for breakfast in Los Feliz with her baby bump. Jen Simon/Amazon Baby Registry

Whitney Port
The Hills star celebrates her upcoming birth with a baby shower hosted by Amazon Baby Registry. Andra Viak / AKM-GSI

Laura Prepon
The actress showed off her baby bump while out and about in Los Feliz. Rob Kim/Getty Images

Kelly Clarkson
The singer shows off her bump at a grand opening in NYC. And today the supermodel revealed her growing baby bump, as well as some super important news—like what her pregnancy craving is! The expecting Mean Girls star steps out at Milk + Bookies’ 7th Annual Story Time Celebration. SPW / All Access / Splash News

Behati Prinsloo
The model and wife of Adam Levine showcased her bump during a dinner date with fellow Victoria’s Secret Angel Lily Aldridge and Taylor Swift. News every weekday at 7 and 11 p.m. RMBI/AKM-GSI

Chrissy Teigen
The model shows off her baby bump as she leaves the gym. Behati, who recently celebrated daughter Dusty Rose‘s first birthday with her famous spouse, posted a video of the yummy snack, which she captioned, “OMG I have the best husband.”
In the video, she also said that Australian model Nicole Trufino was to blame for the high-cal craving! Jason Merritt/Getty Images for Peace Over Violence

Maya Jupiter
Aloe Blacc‘s wife and rapper, who is expecting the couple’s second child, showcased her bump at the 44th annual Peace Over Violence Humanitarian Awards in Los Angeles. Rodriguez/Getty Images

Camilla Luddington
The Grey’s Anatomy actress, who was pregnant with her first child, a girl, appeared at the 2017 People’s Choice Awards. She is expecting her fourth child with husband Jason Goldberg. Instagram

Catherine Lowe
Before welcoming her first child with Sean Lowe, The Bachelor star enjoys Cold Stone Creamery at a baby shower. Turns out that it’s a good one—Fatburger fries and a milkshake. Jonathan Nassos. The happy couple were seen heading out to dinner in West Hollywood. at 12 p.m. Instagram

Serena Williams
The tennis champ was glowing in a patterned dress and heels ahead of Mother’s Day. Instagram

Check out Behati and the rest of celebrity baby bumps over the years! SPOT / AKM-GSI

Irina Shayk
Bumping along! Latest On:  This Husband’s Pumpkin-Themed Dudeoir Photo Shoot Is the Only Thing You Need to See Today
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Amanda Seyfried
The actress was seen walking to set of her film First Reformed in New York. AKM-GSI

Kim Kardashian
The pregnant star seen exiting Villa Restaurant. Article continues below

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Kerry Washington
The actress looked radiant on the red carpet at this years Emmy Awards in LA. Article continues below

SPW / Twist / Splash News

Kristin Cavallari
Looking fashionable with her baby bump, the TV personality picks up frozen yogurt. Article continues below

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Meghan King Edmonds
The Real Housewives of Orange County star enjoys a special pre-natal massages from Zeel at a friend’s baby shower. Latest On:  Vershon Eyes Latin Dancehall Market With New Song “Te Amo”
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Kelly Clarkson
The singer posted this photo on her Instagram page in February 2016, before a guest judge stint on American Idol. Type Inside The Box Marciel/AKM-GSI

Ciara & Russell Wilson
Eating for two! Kevin Winter/Getty Images
Latest On:  Here Are the Foods Khloe Kardashian Is Craving During Her Pregnancy
Natalie Portman
The actress showcased her baby bump at the Toronto International Film Festival in a floral dress and heels. The actress is glowing as she shows off her baby bump in New York. TrickyD/Osvaldo/FAMEFLYNET PICTURES

Natalie Portman
Bumping along! The tennis star looked stunning while cradling her baby bump at the MET Gala in New York. Tommaso Boddi/Getty Images for 4moms

Tatyana Ali
Before welcoming her child, the newlywed attends the 4moms Car Seat launch event at Petersen Automotive Museum in Los Angeles. 4, showcases her bump at the launch of the seventh Lindt Gold Bunny celebrity auction, benefiting Autism Speaks, at the Lindt chocolate shop in New York City. Article continues below

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Rose Byrne
The actress was spotted taking a stroll keeping her baby bump warm. Don’t miss E! Article continues below

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Watch Daily Pop weekdays on E! David Fisher/REX/Shutterstock

Serena Williams
Gorgeous in green! StarTraksPhoto.com/Michael Simon

Daphne Oz
The Chew star shows off her baby bump in a Janie and Jack velvet tie dress. The actress was spotted attending a celebration in Brooklyn. The actress was spotted getting in some retail therapy in Los Feliz. Article continues below

Photo by Craig Barritt/Getty Images for Nature’s Bounty

Molly Sims
The model and actress shares beauty secrets at a Nature’s Bounty event in New York City. Last month the Victoria’s Secret model announced she was pregnant with her second child with husband Adam Levine. Behati Prinsloo‘s baby bump is bumpin’! Searching for more update about this? Molly Hauge/Mollyco Photo

Jessica Hall
While celebrating her baby shower with Heidi Montag at the Westlake Village Inn, the reality star treats guests to gifts from TruSelf Organics. Article continues below

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Jenni Pulos
While celebrating her baby shower with help from the Babyganics Shower Squad, the Flipping Out star posed with husband Dr. The 28-year-old model took to her Instagram Stories wearing sweatpants and a matching bra to share some images of her baby bump, along with a video of her sweet treat, which was brought to her by her doting hubby. Article continues below

Michael Simon, StarTraksPhoto.com

Joanna Garcia Swisher
Just a few weeks after announcing she’s expecting, the actress attends the Monique Lhuillier for Pottery Barn Kids collection launch celebration. Rob Kim/Getty Images for WE tv

Coco
The TV personality attends a party in New York City. Rachel Murray/Getty Images for Harper’s Bazaar

Ciara
Stunning! Michael Simon, StarTraksPhoto.com

Tori Spelling
The reality star displays her baby bump in a floral printed maxi dress from Tommy Bahama. Article continues below

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Mila Kunis
The actress was glowing in a gray dress while out and about in Los Angeles. Charley Gallay/Getty Images for Baby2Baby

Soleil Moon Frye
The Punky Brewster alum debuts her baby bump at the 2015 Baby2Baby gala. Dimitrios Kambouris/Getty Images for Victoria’s Secret

Irina Shayk
While pregnant with her and Bradley Cooper‘s first child, the model debuted her baby bump on the runway at the 2016 Victoria’s Secret Fashion Show. SYLVAIN GABOURY/GIVENCHY

Amanda Seyfried
The Mean Girls star was pregnant with her and Thomas Sadoski‘s first child. Jeffrey Mayer/WireImage

Chad Michael Murray & Sarah Roemer
The couple was seen attending the premiere of John Wick: Chapter Two at the Arclight in Hollywood.

Sofia Richie Shines in Pink Gown and Snake Jewelry at Bulgari Event

“Princess!” Paris Hilton commented. Sofia Richie was pretty in pink satin at the reopening of the Bulgari flagship store on 5th Avenue in New York City on Friday. She posted photos of herself on Instagram. Type Inside The Box She is the brand’s new celebrity spokesmodel. Last weekend, he and Sofia spent time together in Italy, where she made a promotional appearance at a launch event for Adidas’ new Iniki Runners campaign. Gotham/GC Images

Lily Aldridge
The Victoria’s Secret Angel Lily Aldridge showcases a black, slinky look. Other celebrities who attended the Bulgari event in New York City on Friday included model Bella Hadid, who wore a white, backless, long sleeve gown with a sparkling, embellished sleeve and thigh-high slit, fellow model and Victoria’s Secret Angel Lily Aldridge, who sported a strapless black Alex Perry gown with a sweetheart neckline, and Ciara, who wore a long sleeve, black PVC knee-length A.F. Venturelli/WireImage

Misty Copeland
The famous ballet dancer looks elegant in a short black, strapless dress. James Devaney/GC Images

Bella Hadid
The model sparkles in a white, backless, embellished gown. Scott was not spotted. Article continues below

Astrid Stawiarz/Getty Images

Ruby Rose
The actress showcases a chic, plaid style. Vandevorst Couture dress with an asymmetrical neckline. Latest On:  Gucci Mane Ft. Latest On:  Melissa Etheridge Arrested for Possession of Marijuana at Canadian Border

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Ellie Goulding
The singer wears a shiny black dress with ruffled sleeves. A$AP Rocky – Jumped Out The Whip Lyrics
“Feeling Like Fun….@bulgariofficial !#BulgariPartner,” the singer wrote on Instagram, alongside a video of herself at the event. James Devaney/GC Images

Ciara
The singer wears a black PVC dress. Latest On:  Vybz Kartel Brings Back Old Flow In New Single “Informer”
Astrid Stawiarz/Getty Images

Sofia Richie
The model and Lionel Richie‘s 19-year-old daughter is pretty in pink. Searching for more update about this? Lionel Richie‘s 19-year-old daughter, a model who has been making headlines over her new relationship with Scott Disick, appeared at the event in a strapless, empire waist rose-colored gown and a diamond snake necklace, bangle and ring. Article continues below

Astrid Stawiarz/Getty Images

Josephine Skriver
The Victoria’s Secret model sports a backless, metallic dress.

Alec Baldwin to Run for President?

“Plus the people that are running for mayor—I know this is terrible—I look at them and I don’t see myself in that crowd. More than 3,000 people liked the comment. He plays Donald Trump on TV, but does Alec Baldwin want to become the President of the United States himself one day? Type Inside The Box Latest On:  Woody Allen: “Harvey Weinstein Thing Is Very Sad for Everybody Involved”
“I give up money and fame and position and success, I give up this wonderful life I have now in exchange for the chance to really change things,” he said. leader on SNL, retweeted on Friday a cryptic tweet that may or may not be a joke. Latest On:  Dreezy Feat. One person tweeted on Saturday, “I don’t want entertainment. “There’s no age limit on running for office, to a degree,” he said. “If I run for a President, think of how entertaining the debates would be,” said the message, posted on the Alec Baldwin Foundation’s account. Whereas for me, I’ve got a job now…I’ve got a good job.”
Other celebs have also floated the idea of a 2020 political run—Dwayne “The Rock” Johnson, who jokingly announced his presidential running mate, Tom Hanks, on SNL, and Kid Rock, who teased the website http://kidrockforsenate.com in July. leader and former TV star—and his supporters. In 2008, Baldwin said on CBS’ 60 Minutes that he still has not given up his childhood dream of being a politician. — ABFoundation (@ABFalecbaldwin) October 21, 2017
The actor, known for his outspoken liberal views, has been among the most vocal celebrities who has openly criticized the U.S. I want a REAL president!” The post was retweeted on the Alec Baldwin Foundation’s account. “I’ve lost my appetite,” he said on his podcast, Here’s the Thing With Alec Baldwin. “Yeah, I’m not quite sure you can anymore.”
Searching for more update about this? Latest On:  The Kardashian Sisters Have a Fun Getaway in San Francisco and Scott Disick Shares Some Parenting Advice for Khloe Kardashian
“I have an immigration strategy: Everyone who voted for Trump, leave,” read a tweet posted on the Alec Baldwin Foundation’s account on Wednesday. They’re all just so horny for it. If I run for a President, think of how entertaining the debates would be. They’re like a guy on a date that you can tell he just can’t wait to get his hand up your blouse before even the lights go out in the theater. 6LACK & Kodak Black “Spar” Lyrics
Months later, Baldwin nixed the idea. “Something I might do, one day.”
In 2011, Baldwin’s rep he would not rule out the possibility of the actor running for mayor of New York City. The 59-year-old actor, who last month won an Emmy for his satirical portrayal of the U.S. Horny for their own ascension.